Literary technique | Realism | Modernism |
Plot | Structured Beginning, middle, end |
Less planned Avoids "neat" conclusion |
Narrative structures | Follows plot conventions Maintains reader/author barrier |
New techniques e.g. stream of consciousness May require greater reader involvement |
Characters | Recognizable Stress on character development |
Less real characters Use of outsiders Few traditional heroes |
Worldview | Assumes meaning to world Often based on Judeo-Christian ethical order |
Expresses doubt about finding any meaning in life/world Move towards an individual ethical code Interest in political extremes |
Language and style | Does not question ability of words to communicate ideas | Scepticism about ability of language to adequately reflect reality |
Literary technique | Postmodernism |
Plot | Little conventional story A story of fragments |
Narrative structures | Experimental May break reader/author barrier Reminded that we are reading a story |
Characters | Little attempt to create in-depth characters |
Worldview | Extreme scepticism about any underlying pattern |
Language and style | Extreme doubts about language to reflect reality |
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